{"id":28,"date":"2010-10-04T09:07:32","date_gmt":"2010-10-04T07:07:32","guid":{"rendered":"http:\/\/www.moussas.com\/?page_id=28"},"modified":"2021-10-18T11:03:50","modified_gmt":"2021-10-18T09:03:50","slug":"biography","status":"publish","type":"page","link":"http:\/\/www.moussas.com\/?page_id=28","title":{"rendered":"Biography"},"content":{"rendered":"<p><a href=\"#en\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-120\" title=\"en_GB\" src=\"http:\/\/www.moussas.com\/wp-content\/uploads\/2010\/10\/en_GB.png\" alt=\"\" width=\"16\" height=\"16\" \/><\/a> <a href=\"#gr\"><img loading=\"lazy\" class=\"alignnone size-full wp-image-119\" title=\"el_GR\" src=\"http:\/\/www.moussas.com\/wp-content\/uploads\/2010\/10\/el_GR.png\" alt=\"\" width=\"16\" height=\"16\" \/><\/a><\/p>\n<p><a name=\"en\"><\/a><\/p>\n<p><strong>Tilemachos Moussas<\/strong><\/p>\n<p>Tilemachos Moussas, is an Athens based composer, guitarist, multinstrumentalist, educator.<\/p>\n<p>He is invested in the creation and performance of subversive music, from instant composing and avant garde. He creates, performs and produces experimental music and opera -theater that fuses the musicality of speech, poetry, classical music, jazz and electronic sound art.<\/p>\n<p>He is a Ph.D. candidate at the Department of Music Studies of Athens University and he holds a Master of Music from the same department, he also holds a Bachelor in Educational Studies and a Bachelor in the Science of Agronomy.<\/p>\n<p>He has composed music for theater, dance &amp; films and has collaborated with institutions such as Brooklyn Academy of Music, Stanford University&#8217;s CCRMA, \u00a0IRCAM Centre Pompidou, Pina Bausch&#8217;s Tanztheater Wuppertal, Operadagen Festival, Athens &amp; Epidaurus Festival, National\u00a0 Theater of Greece, National Opera of Greece, The Athens Concert Hall,\u00a0 Onassis STEGI,\u00a0 Stavros Niarchos Foundation Cultural Center, the Cyprus Theater Organization, TedX University of Piraeus and more.<\/p>\n<p>He is a founding member of the ODC theater company.<\/p>\n<p>He has received the International &#8220;Music Theater Now 2018&#8221; Award and has been awarded the 1st Prize at the Be Festival of Birmingham.<\/p>\n<p>He has performed at international festivals and venues such as Copenhagen Opera Festival, BAM\/NYC, Aalborg Opera Festival, Operadagen Festival of Rotterdam, Neukollner Oper Berlin, Singapore Arts Festival, Musiktheatertage Wien, Malta Cultural Capital of Europe, SANI Jazz Festival and more.<\/p>\n<p><strong>He has worked with many important musicians such as:<\/strong><br \/>\nDamo Suzuki, Savina Yannatou, Blaine Reininger, Julia Kent, Pamelia (Stickney) Kurstin, Misha Piatigorsky, Lena Norin, Michel Hatzigeorgiou, Missirli Ahmet, George Kontrafouris, Georgia Sylleou, Thanos Anestopoulos, K. Maginas, M.Voumvaki, D. Kamarotos, Nikos Giousef and has performed with artists such as Chico Freeman, Sheila Jordan, Jerome Rothenberg .<br \/>\nTilemachos and his band have played as guest in concerts for bands and musicians such as:<br \/>\nAnouar Brahem, Nouvelle Vague, Brendan Perry (Dead Can Dance), Ozric Tentacles, Manhattan Vibes etc.<\/p>\n<p>He has performed with bands such as Ble, Ypogeia Revmata, Xaxakes, LoveLab, Acetic Voice, Medieval Death.<\/p>\n<p><strong>Tilemachos composed the music for several plays and performances such as:<\/strong><\/p>\n<ul>\n<li>&#8220;Oedipus\/ Sex With Mum Was Blinding&#8221; (directed by Elli Papakonstantinou\u2013 Brooklyn Academy of Music\/NYC)<\/li>\n<li>&#8220;Hotel AntiOedipus&#8221; (directed by Elli Papakonstantinou\u2013 IRCAM Centre Pompidou\/ Paris)<\/li>\n<li>\u201cKolokotronis Memoirs\u201d a theatre documentary directed by Mariana Lampiri \u2013 Athens Old University)<\/li>\n<li>\u201cSpoon River\u201d (directed by Dimitra Kondylaki \u2013 Stathmos Theatre)<\/li>\n<li>Romeo &amp; Juliet (Choreographed by Tatiana Papadopoulou &#8211; Thessaloniki&#8217;s Concert Hall (Megaron)<\/li>\n<li>&#8220;Kazin Barokk&#8221; directed by Elli Papakonstantinou &#8211; Valletta Cultural Capital of Europe 2018, Malta<\/li>\n<li>&#8220;The Cave&#8221; directed by Elli Papakonstantinou\u00a0 &#8211; Copenhagen Opera Festival, Aarhus Opera Festival Denmark (MTN 2018 Award)<\/li>\n<li>&#8220;Samotnosc&#8221; directed by Pantelis Makkas\u00a0 &#8211; Aggelon Vima\u00a0 theatre, Athens<\/li>\n<li>&#8220;Louisette&#8221; directed by Elli Papakonstantinou\u00a0 &#8211; Athens &amp; Epidaurus festival 2017, Athens<\/li>\n<li>&#8220;OUTCRY&#8221; directed by Elli Papakonstantinou\u00a0 &#8211; Faust theatre, Athens<\/li>\n<li>&#8220;RE-VOLT Athens&#8221; directed by Elli Papakonstantinou -2015 Musiktheatertage\/ Wien\u00a0 &amp; Neukollner Oper \/ Berlin, Faki festival Zagreb, Hellenic FESTIVAL 2016, BE Festival (1st Prize), UK<\/li>\n<li>&#8220;Re Final Countdown&#8221;\u00a0 directed by Elli Papakonstantinou Antic Teatre\/Barcelona<\/li>\n<li>&#8220;Pulsar&#8221; directed by John Britton, \u0392ios \/Athens<\/li>\n<li>&#8220;Adio Adio Amore&#8221; (part of the music) choreographed by Daphnis Kokkinos -2013\u00a0Tanztheater Wuppertal Pina Bausch.<\/li>\n<li>&#8220;D.OPA.&#8221; choreographed by Patricia Apergi -Les Hivernales Festival 2013,Avignon -France<\/li>\n<\/ul>\n<ul>\n<li>&#8220;Woyzeck Quartet&#8221; directed by Elli Papakonstantinou &#8211; Hellenic Festival 2012<br \/>\n\u2022 &#8220;Fonissa&#8221; directed by Stathis Livathinos 2011<br \/>\n\u2022 &#8220;Winter&#8217;s Tale&#8221; directed by Elli Papakonstantinou 2011<br \/>\n\u2022 &#8220;The Storm&#8221; directed by Perikles Moustakis 2011<br \/>\n\u2022\u00a0 \u201cThe House of Bernarda Alba\u201d directed by Stathis Livathinos 2010<br \/>\n\u2022\u201cDon Juan\u201d directed by Emilios Chilakis, National Theatre 2010<br \/>\n\u2022\u201cODC\u201d directed by Elli Papakonstantinou, International Festival of \u00a0\u00a0\u00a0\u00a0Ancient Drama, 2009, Delphi<br \/>\n\u2022&#8221;Sous l&#8217;oeil d&#8217;Oedipe&#8221; directed by Elli Papakonstantinou, Institut Francais D\u2019 Athenes<br \/>\n\u2022 \u201cAmen\u201d choreographed by Fotis Nikolaou, Athens System 2009<br \/>\n\u2022 \u201cThe Professional\u201d directed by Pigi Dimitropoulou<br \/>\n\u2022 &#8220;Madame de Sade&#8221; directed by Orestis Tatsis<\/li>\n<li>\u201cRock Law\u201d written by Erik Bogosian and directed by K. Gakidis<\/li>\n<li>\u201cPounding Nails in the Floor with My Forehead\u201d written by Erik Bogosian and directed by K. Gakidis<\/li>\n<li>\u201cCats have seven lives\u201d written by Jenny Erpenbeck and directed by Chryssa Kapsouli<\/li>\n<li>\u201cIthaki\u201d and &#8220;GIG-ITHAKI&#8221; both proposed for the award of Greek critic association for theatre and music, written by D. Dimitiradis directed by S. Karakantza\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u2022 \u201cUrban Soma\u201d and \u201cUrban Choma\u201d choreographed by Oliver Hartmann<br \/>\n\u2022 &#8220;Take Time&#8221; choreographed by Mariela Nestora<br \/>\n\u2022 &#8220;13mf&#8221; by Christos Polymenakos\u00a0 AnalogioTheater Festival 2007<br \/>\n\u2022 &#8220;Session I&#8221;choreographed by P.Argyropoulos<br \/>\n\u2022 &#8220;1 none 100.000&#8243;choreographed by Solus Creo<br \/>\n\u2022 &#8220;The Circus Is Flying&#8221;(puppet theatre)directed by E. Vlachos<br \/>\n\u2022 \u201cMade in In\u201d (d624) performed by Eleni Theofilaktou.<br \/>\n\u2022 \u201cFive of us\u201d directed by Evi Dimitrakopoulou<\/li>\n<\/ul>\n<p><strong>He participated as performer in:<\/strong><\/p>\n<ul>\n<li>in the play \u201cI\u2019m Dying Like a Country\u201d(Hellenic Festival 2007 , directed by Michael Marmarinos).<br \/>\n\u2022 \u201cSwan Lake City\u201d (choreography by Konstantinos Rigos for the National Theatre of Northern Greece) arranging Tchaikovsky and playing the guitar<\/li>\n<\/ul>\n<ul>\n<li>in the play \u201cThe Sound of A Gun\u201d ( 104 Theatre, directed by Elli Papakonstantinou).<br \/>\n\u2022 in the play \u201cThe Night Of The Secrets\u201d (National Theatre, directed by Elli Papakonstantinou).<br \/>\n\u2022 \u201cDream Odyssey\u201d ( directed by Chryssa Kapsouli for The National Theatre of Northern Greece)<br \/>\n\u2022 &#8220;off the streets&#8221; (directed by Kyriakos Katzourakis for Cultural Capital Of Europe Patra 2006)<br \/>\n\u2022 in the play &#8220;American Dream&#8221; (choreographed by Fotis Nikolaou for the Greek National Opera)<br \/>\n\u2022 in the play &#8220;META&#8221; (Vyrsodepsion, directed by Elli Papakonstantinou).<\/li>\n<\/ul>\n<p><strong>He composed \u00a0music for the films:<\/strong><\/p>\n<ul>\n<li>&#8220;Anemistiras&#8221; (Fan) by D.Bitos, 2015<\/li>\n<li>\u201cThe stranger\u201d by K. Tsakiris.<\/li>\n<\/ul>\n<p><strong>He took part in the music composition of the films:<\/strong><\/p>\n<ul>\n<li>\u201cLines\u201d directed by Vasilis Mazomenos<\/li>\n<li>\u201cNot to set foot in Athens\u201d directed by M. Mouzakis<br \/>\n\u2022 \u201cCan U Feel it\u201d, documentary directed by F. Vlahakis<\/li>\n<li>&#8220;Element&#8221; directed by George Karamitsos<\/li>\n<\/ul>\n<p><strong>Tilemachos has played and performed in many well known concert halls and in Festivals all over the world such as:<\/strong><\/p>\n<ul>\n<li>Brooklyn Academy of Music, N.Y.C. USA 2019<\/li>\n<li>W Festival, 2019 Belgium<\/li>\n<li>BE Festival, 2017, (First Prize) Birmingham, UK<\/li>\n<li>Acco Festival, 2017, ACRE, ISRAEL<\/li>\n<li>Operadagen Festival, 2017, 2019, Rotterdam, Holland<\/li>\n<li>Faki Festival, 2016, Zagreb, Kroatia<\/li>\n<li>Musiktheatertage ,2015,\u00a0 Wien, Austria<\/li>\n<li>Neukollner Oper,\u00a0 2015 , Berlin, Germany<\/li>\n<li>Zante Jazz Festival, 2011, Zakynthos, Greece<\/li>\n<li>ODEON, 2009 Paris, France<\/li>\n<li>International Festival for Experimental Theatre, 2009 Cairo, Egypt<br \/>\n\u2022 International Festival of Ancient Drama, 2009, Delphi, Greece<br \/>\n\u2022 Kunstenfestivaldesarts 2008 Brussels Belgium<br \/>\n\u2022 Hellenic Festival 2007 Athens Greece<br \/>\n\u2022 Wiener Festwochen 2008 Vienna Austria<br \/>\n\u2022 Oriente Occidente Festival 2005 Trento Italy<br \/>\n\u2022 IX Festival International de Danca Contemporanea 2005 Faro Portugal<br \/>\n\u2022 Mostra Sesc de Artes Mediterraneo Festival 2005 Sao Paolo Brazil<br \/>\n\u2022 Biennale 2004 Lyon France<br \/>\n\u2022 Arts Festival 2004 Singapore<br \/>\n\u2022 European Monodrama Festival 2004 Bitola FYROM<br \/>\n\u2022 International Festival The actor of Europe 2004 Otesevo FYROM<br \/>\n\u2022 SANI Jazz on the hill festival 2006 Greece<br \/>\n\u2022 Demetria Ethno Jazz Festival Greece 2008<br \/>\n\u2022 Thessaloniki\u2019s Jazz Festival Greece 2008<br \/>\n\u2022 European Music Day, Athens Greece 2009<br \/>\n\u2022 Cultural Capital Of Europe Patra Greece 2006<br \/>\n\u2022 2nd,3rd Athens Video Art Festival 2006, 2007 Athens Greece<br \/>\n\u2022 Naxos Festival, Naxos Greece 2006<br \/>\n\u2022 Strings Of Difference Festival 2006 Athens Greece<br \/>\n\u2022 Parathinalos jazz festival 2002 &#8211; 2003 Thessalonica Greece.<\/li>\n<\/ul>\n<p>He has released 3 cd\u2019s\u00a0by Ankh Records which are stylistically moving in the field of modern Jazz and 3 cd\u2019s\u00a0with his compositions for theatre by ODC.<\/p>\n<p>He lives in Athens and he also works in Educational Radiotelevision &amp; Digital Media \/ Greek Ministry of Education.<\/p>\n<p><!--  \/* Font Definitions *\/  @font-face \t{font-family:Helvetica; \tpanose-1:0 0 0 0 0 0 0 0 0 0; \tmso-font-charset:0; \tmso-generic-font-family:auto; \tmso-font-pitch:variable; \tmso-font-signature:-536870145 1342208091 0 0 415 0;} @font-face \t{font-family:Wingdings; \tpanose-1:5 0 0 0 0 0 0 0 0 0; \tmso-font-charset:2; \tmso-generic-font-family:decorative; \tmso-font-pitch:variable; \tmso-font-signature:0 268435456 0 0 -2147483648 0;} @font-face \t{font-family:\"Cambria Math\"; \tpanose-1:2 4 5 3 5 4 6 3 2 4; \tmso-font-charset:0; \tmso-generic-font-family:roman; \tmso-font-pitch:variable; \tmso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:0; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-536859905 -1073732485 9 0 511 0;}  \/* Style 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\u03c7\u03bf\u03c1\u03bf\u03cd, \u03b3\u03b9\u03b1 \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2 \u03bc\u03b9\u03ba\u03c1\u03bf\u03cd \u03ba\u03b1\u03b9 \u03bc\u03b5\u03b3\u03ac\u03bb\u03bf\u03c5 \u03bc\u03ae\u03ba\u03bf\u03c5\u03c2 \u03ba\u03b1\u03b9 \u03ad\u03c7\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03b5\u03af \u03bc\u03b5 \u03c6\u03bf\u03c1\u03b5\u03af\u03c2 \u03cc\u03c0\u03c9\u03c2 \u03c4\u03bf Brooklyn Academy of Music, \u03c4\u03bf CCRMA \u03c4\u03bf\u03c5 Stanford University, \u03c4\u03bf IRCAM Centre Pompidou, \u03c4\u03bf Tanztheater Wuppertal Pina Bausch, \u03c4\u03bf \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0391\u03b8\u03b7\u03bd\u03ce\u03bd &amp; \u0395\u03c0\u03b9\u03b4\u03b1\u03cd\u03c1\u03bf\u03c5, \u03c4\u03bf \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u0398\u03ad\u03b1\u03c4\u03c1\u03bf, \u03c4\u03bf \u039a.\u0398.\u0392.\u0395., \u03c4\u03b7\u03bd \u0395\u03b8\u03bd\u03b9\u03ba\u03ae \u039b\u03c5\u03c1\u03b9\u03ba\u03ae \u03a3\u03ba\u03b7\u03bd\u03ae, \u03c4\u03bf \u039c\u03ad\u03b3\u03b1\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u0391\u03b8\u03b7\u03bd\u03ce\u03bd, \u03c4\u03b7\u03bd \u03a3\u03c4\u03ad\u03b3\u03b7 \u0393\u03c1\u03b1\u03bc\u03bc\u03ac\u03c4\u03c9\u03bd &amp; \u03a4\u03b5\u03c7\u03bd\u03ce\u03bd, \u03c4\u03bf \u039a\u03ad\u03bd\u03c4\u03c1\u03bf \u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03bc\u03bf\u03cd \u038a\u03b4\u03c1\u03c5\u03bc\u03b1 \u03a3\u03c4\u03b1\u03cd\u03c1\u03bf\u03c2 \u039d\u03b9\u03ac\u03c1\u03c7\u03bf\u03c2, \u03c4\u03bf\u03bd \u0398\u03b5\u03b1\u03c4\u03c1\u03b9\u03ba\u03cc \u039f\u03c1\u03b3\u03b1\u03bd\u03b9\u03c3\u03bc\u03cc \u039a\u03cd\u03c0\u03c1\u03bf\u03c5,TedX \u03a0\u03b1\u03bd\u03b5\u03c0\u03b9\u03c3\u03c4\u03b7\u03bc\u03af\u03bf\u03c5 \u03a0\u03b5\u03b9\u03c1\u03b1\u03b9\u03ce\u03c2 \u03ba.\u03b1.<\/p>\n<p>\u0395\u03af\u03bd\u03b1\u03b9 \u03c5\u03c0\u03bf\u03c8\u03ae\u03c6\u03b9\u03bf\u03c2 \u0394\u03b9\u03b4\u03ac\u03ba\u03c4\u03bf\u03c1\u03b1\u03c2\u00a0 \u03c4\u03bf\u03c5 \u03c4\u03bc\u03ae\u03bc\u03b1\u03c4\u03bf\u03c2 \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ce\u03bd \u03a3\u03c0\u03bf\u03c5\u03b4\u03ce\u03bd \u03c4\u03bf\u03c5 \u0395\u039a\u03a0\u0391 \u03ba\u03b1\u03b9 \u03ba\u03b1\u03c4\u03ad\u03c7\u03b5\u03b9\u00a0 Master of Music \u03b1\u03c0\u03cc \u03c4\u03bf \u03af\u03b4\u03b9\u03bf \u03c4\u03bc\u03ae\u03bc\u03b1 \u03ba\u03b1\u03b8\u03ce\u03c2 \u03ba\u03b1\u03b9 Bachelor \u03c3\u03c4\u03b9\u03c2 \u03a0\u03b1\u03b9\u03b4\u03b1\u03b3\u03c9\u03b3\u03b9\u03ba\u03ad\u03c2 \u03a3\u03c0\u03bf\u03c5\u03b4\u03ad\u03c2 \u03ba\u03b1\u03b9 \u03c3\u03c4\u03b7\u03bd \u0395\u03c0\u03b9\u03c3\u03c4\u03ae\u03bc\u03b7 \u03c4\u03b7\u03c2 \u0393\u03b5\u03c9\u03c0\u03bf\u03bd\u03af\u03b1\u03c2.<\/p>\n<p>\u0395\u03af\u03bd\u03b1\u03b9 \u03b9\u03b4\u03c1\u03c5\u03c4\u03b9\u03ba\u03cc \u03bc\u03ad\u03bb\u03bf\u03c2 \u03c4\u03b7\u03c2 \u03b8\u03b5\u03b1\u03c4\u03c1\u03b9\u03ba\u03ae\u03c2 \u03b5\u03c4\u03b1\u03b9\u03c1\u03af\u03b1\u03c2 ODC.<\/p>\n<p>&#8216;\u0395\u03c7\u03b5\u03b9 \u03bb\u03ac\u03b2\u03b5\u03b9 \u03c4\u03bf \u03b4\u03b9\u03b5\u03b8\u03bd\u03ad\u03c2 \u03b2\u03c1\u03b1\u03b2\u03b5\u03af\u03bf Music Theater Now 2018 &amp;\u00a0 \u03ad\u03c7\u03b5\u03b9 \u03b2\u03c1\u03b1\u03b2\u03b5\u03c5\u03b8\u03b5\u03af \u03bc\u03b5 \u03c4\u03bf 1\u03bf \u0392\u03c1\u03b1\u03b2\u03b5\u03af\u03bf \u03c3\u03c4\u03bf \u0392e\u00a0 Festival of Birmingham.<\/p>\n<p>&#8216;\u0395\u03c7\u03b5\u03b9 \u03b5\u03bc\u03c6\u03b1\u03bd\u03b9\u03c3\u03c4\u03b5\u03af \u03c3\u03b5 \u03b4\u03b9\u03b5\u03b8\u03bd\u03ae \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u03ba\u03b1\u03b9 \u03c7\u03ce\u03c1\u03bf\u03c5\u03c2 \u03cc\u03c0\u03c9\u03c2 \u03c4\u03b1 Copenhagen Opera Festival,\u00a0Aalborg Opera Festival, Operadagen Festival of Rotterdam,\u00a0Neukollner Oper Berlin, Singapore Arts Festival,\u00a0Musiktheatertage Wien, Malta Cultural Capital of Europe, SANI Jazz Festival\u00a0\u03ba.\u03b1.<\/p>\n<p>\u03a3\u03c5\u03bd\u03ad\u03b8\u03b5\u03c3\u03b5 \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c4\u03c9\u03bd \u00a0\u03c0\u03b1\u03c1\u03b1\u03c3\u03c4\u03ac\u03c3\u03b5\u03c9\u03bd:<\/p>\n<p>\u00abOedipus\/ Sex With Mum Was Blinding\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013 Brooklyn Academy of Music\/NYC)<\/p>\n<p>&#8220;Hotel AntiOedipus&#8221; (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5\u2013 IRCAM Centre Pompidou\/ Paris)<\/p>\n<p>\u201c\u0391\u03c0\u03bf\u03bc\u03bd\u03b7\u03bc\u03bf\u03bd\u03b5\u03cd\u03bc\u03b1\u03c4\u03b1 \u039a\u03bf\u03bb\u03bf\u03ba\u03bf\u03c4\u03c1\u03ce\u03bd\u03b7\u201d a theatre documentary \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039c\u03b1\u03c1\u03b9\u03ac\u03bd\u03bd\u03b1\u03c2 \u039b\u03b1\u03bc\u03c0\u03af\u03c1\u03b7 \u2013 \u03a0\u03b1\u03bb\u03b1\u03b9\u03cc \u03a0\u03b1\u03bd\u03b5\u03c0\u03b7\u03c3\u03c4\u03ae\u03bc\u03b9\u03bf \u0391\u03b8\u03b7\u03bd\u03ce\u03bd)<\/p>\n<p>\u201cSpoon River\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0394\u03ae\u03bc\u03b7\u03c4\u03c1\u03b1\u03c2 \u039a\u03bf\u03bd\u03b4\u03c5\u03bb\u03ac\u03ba\u03b7, \u0398\u03ad\u03b1\u03c4\u03c1\u03bf \u03a3\u03c4\u03b1\u03b8\u03bc\u03cc\u03c2 )<\/p>\n<p>Romeo &amp; Juliet (\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03a4\u03b1\u03c4\u03b9\u03ac\u03bd\u03b1\u03c2 \u03a0\u03b1\u03c0\u03b1\u03b4\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5- \u039c\u03ad\u03b3\u03b1\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u0398\u03b5\u03c3\u03c3\u03b1\u03bb\u03bf\u03bd\u03af\u03ba\u03b7\u03c2)<\/p>\n<p>&#8220;Kazin Barokk&#8221; (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 &#8211; Valletta Cultural Capital of Europe 2018, Malta)<\/p>\n<p>&#8216;\u03a4\u03bf \u03a3\u03c0\u03ae\u03bb\u03b1\u03b9\u03bf&#8217; (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013 M\u03ad\u03b3\u03b1\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2 \u0391\u03b8\u03b7\u03bd\u03ce\u03bd)<\/p>\n<p>&#8220;Samotnosc&#8221; (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a0\u03b1\u03bd\u03c4\u03b5\u03bb\u03ae\u03c2 \u039c\u03ac\u03ba\u03ba\u03b1\u03c2 &#8211; \u0398\u03ad\u03b1\u03c4\u03c1\u03bf \u0391\u03b3\u03b3\u03ad\u03bb\u03c9\u03bd \u0392\u03ae\u03bc\u03b1)<\/p>\n<p>&#8220;\u039b\u03bf\u03c5\u03b9\u03b6\u03ad\u03c4\u03c4\u03b1&#8221; (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 -\u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u0391\u03b8\u03b7\u03bd\u03ce\u03bd &amp; \u0395\u03c0\u03b9\u03b4\u03b1\u03cd\u03c1\u03bf\u03c5 2017<\/p>\n<p>\u201cRE-VOLT Athens\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 -2015 Musiktheatertage\/ Wien\u00a0 &amp; Neukollner Oper \/ Berlin )<\/p>\n<p>&#8220;K\u03c1\u03b1\u03c5\u03b3\u03ae&#8221; \u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 -2016 FAUST theatre)<\/p>\n<p>\u201cRe Final Countdown\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 Antic Teatre\/Barcelona)<\/p>\n<p>\u201cPulsar\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 John Britton, \u0392ios)<\/p>\n<p>\u201c\u03a1\u03b9\u03c7\u03ac\u03c1\u03b4\u03bf\u03c2 \u0399\u0399\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u0392\u03a5\u03a1\u03a3\u039f\u0394\u0395\u03a8\u0395\u0399\u039f)<\/p>\n<p>\u201cAdio Adio Amore\u201d (part of the music)\u00a0 \u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 Daphnis Kokkinos -2013\u00a0Tanztheater Wuppertal Pina Bausch<\/p>\n<p>\u201cD.OPA.\u201d (\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03a0\u03b1\u03c4\u03c1\u03af\u03c4\u03c3\u03b9\u03b1\u03c2 \u0391\u03c0\u03ad\u03c1\u03b3\u03b7 -Les Hivernales Festival 2013,Avignon -France<\/p>\n<p>\u201c\u0394\u0395\u03a1\u039c\u0391\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013 \u2018\u0392\u03a5\u03a1\u03a3\u039f\u0394\u0395\u03a8\u0395\u0399\u039f)<\/p>\n<p>\u201cK\u03bf\u03c5\u03b1\u03c1\u03c4\u03ad\u03c4\u03bf Woyzeck\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013 \u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb 2012)<\/p>\n<p>\u201c\u0397 \u03a6\u03cc\u03bd\u03b9\u03c3\u03c3\u03b1\u201d(\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a3\u03c4\u03ac\u03b8\u03b7 \u039b\u03b9\u03b2\u03b1\u03b8\u03b9\u03bd\u03bf\u03cd-\u0398\u03ad\u03b1\u03c4\u03c1\u03bf \u03bf\u03b4\u03bf\u03cd \u039a\u03b5\u03c6\u03b1\u03bb\u03bb\u03b7\u03bd\u03af\u03b1\u03c2)<\/p>\n<p>\u201c\u0397 \u039a\u03b1\u03c4\u03b1\u03b9\u03b3\u03af\u03b4\u03b1\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a0\u03b5\u03c1\u03b9\u03ba\u03bb\u03ae \u039c\u03bf\u03c5\u03c3\u03c4\u03ac\u03ba\u03b7\u00a0 \u2013 \u0398\u03ad\u03b1\u03c4\u03c1\u03bf \u0386\u03c3\u03ba\u03b7\u03c3\u03b9\u03c2)<\/p>\n<p>\u201c\u03a4\u03bf \u03a7\u03b5\u03b9\u03bc\u03c9\u03bd\u03b9\u03ac\u03c4\u03b9\u03ba\u03bf \u03a0\u03b1\u03c1\u03b1\u03bc\u03cd\u03b8\u03b9\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013\u0398\u03b5\u03b1\u03c4\u03c1\u03b9\u03ba\u03cc\u03c2 \u039f\u03c1\u03b3\u03b1\u03bd\u03b9\u03c3\u03bc\u03cc\u03c2 \u039a\u03cd\u03c0\u03c1\u03bf\u03c5)<\/p>\n<p>\u00ab\u03a4\u03bf \u03a3\u03c0\u03af\u03c4\u03b9 \u03c4\u03b7\u03c2 \u039c\u03c0\u03b5\u03c1\u03bd\u03ac\u03c1\u03bd\u03c4\u03b1 \u0386\u03bb\u03bc\u03c0\u03b1\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a3\u03c4\u03ac\u03b8\u03b7 \u039b\u03b9\u03b2\u03b1\u03b8\u03b9\u03bd\u03bf\u03cd \u2013 \u0398\u03ad\u03b1\u03c4\u03c1\u03bf \u03bf\u03b4\u03bf\u03cd \u039a\u03b5\u03c6\u03b1\u03bb\u03bb\u03b7\u03bd\u03af\u03b1\u03c2)<\/p>\n<p>\u00ab\u0394\u03bf\u03bd \u0396\u03bf\u03c5\u03ac\u03bd\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0391\u03b9\u03bc\u03b9\u03bb\u03af\u03bf\u03c5 \u03a7\u03b5\u03b9\u03bb\u03ac\u03ba\u03b7 \u2013 \u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u0398\u03ad\u03b1\u03c4\u03c1\u03bf)<\/p>\n<p>\u201cODC\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013 \u0395\u03c5\u03c1\u03c9\u03c0\u03b1\u03b9\u03ba\u03cc \u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03cc \u039a\u03ad\u03bd\u03c4\u03c1\u03bf \u0394\u03b5\u03bb\u03c6\u03ce\u03bd, \u0394\u03b9\u03b5\u03b8\u03bd\u03ad\u03c2 \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03b1\u03bb \u03a0\u03b5\u03b9\u03c1\u03b1\u03bc\u03b1\u03c4\u03b9\u03ba\u03bf\u03cd \u0398\u03b5\u03ac\u03c4\u03c1\u03bf\u03c5 \u039a\u03b1\u03ca\u03c1\u03bf\u03c5)<\/p>\n<p>\u201cO \u03a3\u03c5\u03bd\u03ad\u03bd\u03bf\u03c7\u03bf\u03c2 \u0398\u03b5\u03b1\u03c4\u03ae\u03c2\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013 Low Budget Festival)<\/p>\n<p>\u201cLAMENTU\u201d (\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1-\u03a6\u03ce\u03c4\u03b7\u03c2 \u039d\u03b9\u03ba\u03bf\u03bb\u03ac\u03bf\u03c5 \u2013 12\u03b7 \u03a0\u03bb\u03b1\u03c4\u03c6\u03cc\u03c1\u03bc\u03b1 \u03a7\u03bf\u03c1\u03bf\u03cd \u039a\u03cd\u03c0\u03c1\u03bf\u03c2)<\/p>\n<p>\u201cINNERVIEW\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039b\u03b9\u03bb\u03bb\u03cd\u03c2 \u039c\u03b5\u03bb\u03b5\u03bc\u03ad -\u038a\u03b4\u03c1\u03c5\u03bc\u03b1 \u039a\u03b1\u03ba\u03bf\u03b3\u03b9\u03ac\u03bd\u03bd\u03b7)<\/p>\n<p>\u201c\u0395\u03c0\u03b9\u03bc\u03ad\u03bd\u03c9\u201d (\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03a0\u03b1\u03bd\u03b1\u03b3\u03ce\u03c4\u03b7 \u0391\u03c1\u03b3\u03c5\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c5 \u2013 \u0394\u0397\u039c\u0397\u03a4\u03a1\u0399\u0391 2012)<\/p>\n<p>\u201cAMEN\u201d\u00a0 (\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1-\u03a6\u03ce\u03c4\u03b7\u03c2 \u039d\u03b9\u03ba\u03bf\u03bb\u03ac\u03bf\u03c5 \u2013 \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u0398\u0397\u03a3\u0395\u0399\u039f\u039d)<\/p>\n<p>\u00ab\u0397 \u039c\u03b1\u03c4\u03b9\u03ac \u03c4\u03bf\u03c5 \u039f\u03b9\u03b4\u03af\u03c0\u03bf\u03b4\u03b1\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u2013\u0393\u03b1\u03bb\u03bb\u03b9\u03ba\u03cc \u0399\u03bd\u03c3\u03c4\u03b9\u03c4\u03bf\u03cd\u03c4\u03bf \u0391\u03b8\u03b7\u03bd\u03ce\u03bd)<\/p>\n<p>\u00ab\u039f \u0395\u03c0\u03b1\u03b3\u03b3\u03b5\u03bb\u03bc\u03b1\u03c4\u03af\u03b1\u03c2\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a0\u03b7\u03b3\u03ae\u03c2 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b1\u03ba\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u2013 \u0391\u03b3\u03b3\u03ad\u03bb\u03c9\u03bd \u0392\u03ae\u03bc\u03b1)<\/p>\n<p>\u00ab\u039c\u03b1\u03c1\u03ba\u03b7\u03c3\u03af\u03b1 \u039d\u03c4\u03b5 \u03a3\u03b1\u03bd\u03c4\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039f\u03c1\u03ad\u03c3\u03c4\u03b7 \u03a4\u03ac\u03c4\u03c3\u03b7 \u2013 \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u03a3\u03c6\u03b5\u03bd\u03b4\u03cc\u03bd\u03b7)<\/p>\n<p>\u201cFive of us\u201d (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03b2\u03b7\u03c2 \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03bf\u03c0\u03bf\u03cd\u03bb\u03bf\u03c5 \u2013 \u039c\u03b9\u03ba\u03c1\u03cc \u0398\u03ad\u03b1\u03c4\u03c1\u03bf)<\/p>\n<p>\u201cRock Law\u201d \u03c4\u03bf\u03c5 \u0388\u03c1\u03b9\u03ba \u039c\u03c0\u03bf\u03ba\u03bf\u03c3\u03b9\u03ac\u03bd (\u03c3\u03ba\u03b7\u03bd. \u039a. \u0393\u03b1\u03ba\u03af\u03b4\u03b7\u03c2 \u2013 European Monodrama Festival, Bitola )<\/p>\n<p>\u00ab\u039a\u03b1\u03c1\u03c6\u03ce\u03bd\u03bf\u03bd\u03c4\u03b1\u03c2 \u03ba\u03b1\u03c1\u03c6\u03b9\u03ac \u03c3\u03c4\u03bf \u03c0\u03ac\u03c4\u03c9\u03bc\u03b1 \u03bc\u03b5 \u03c4\u03bf \u03ba\u03bf\u03cd\u03c4\u03b5\u03bb\u03bf\u00bb \u03c4\u03bf\u03c5 \u0384\u0395\u03c1\u03b9\u03ba \u039c\u03c0\u03bf\u03ba\u03bf\u03c3\u03b9\u03ac\u03bd (\u03c3\u03ba\u03b7\u03bd. \u039a. \u0393\u03b1\u03ba\u03af\u03b4\u03b7\u03c2 \u2013 \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf\u00a0 \u03a3\u03bf\u03c6\u03bf\u03cd\u03bb\u03b7)<\/p>\n<p>\u00ab\u039f\u03b9 \u03b3\u03ac\u03c4\u03b5\u03c2 \u03ad\u03c7\u03bf\u03c5\u03bd \u03b5\u03c0\u03c4\u03ac \u03b6\u03c9\u03ad\u03c2\u00bb \u03c4\u03b7\u03c2 Jenny Erpenbeck (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a7\u03c1\u03cd\u03c3\u03b1\u03c2 \u039a\u03b1\u03c8\u03bf\u03cd\u03bb\u03b7 \u2013 \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf\u00a0 \u03a3\u03bf\u03c6\u03bf\u03cd\u03bb\u03b7)<\/p>\n<p>\u00ab\u0399\u03b8\u03ac\u03ba\u03b7\u00bb \u03ba\u03b1\u03b9 \u201cGIG-\u0399\u03b8\u03ac\u03ba\u03b7\u201d \u03c4\u03bf\u03c5 \u0394. \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7 (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a3. \u039a\u03b1\u03c1\u03b1\u03ba\u03ac\u03bd\u03c4\u03b6\u03b1 &#8211;\u00a0 \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u0398\u0397\u03a3\u0395\u0399\u039f\u039d)<\/p>\n<p>\u00ab\u038c\u03bc\u03b7\u03c1\u03bf\u03c2\u00bb \u03c4\u03bf\u03c5 \u0394. \u0394\u03b7\u03bc\u03b7\u03c4\u03c1\u03b9\u03ac\u03b4\u03b7 (\u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb \u039d\u03ac\u03be\u03bf\u03c5-\u03a0\u03cd\u03c1\u03b3\u03bf\u03c2 \u039c\u03c0\u03b1\u03b6\u03b1\u03af\u03bf\u03c5)<\/p>\n<p>\u00ab\u03a4\u03bf \u03c4\u03c3\u03af\u03c1\u03ba\u03bf \u03c0\u03b5\u03c4\u03ac\u03b5\u03b9\u00bb (\u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0395. \u0392\u03bb\u03ac\u03c7\u03bf\u03c5-\u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u0391\u03a1\u0393\u03a9)<\/p>\n<p>\u201cUrban Soma\u201d, \u201cUrban Choma\u201d (\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1\u00a0 Oliver Hartmann \u2013 \u039a.\u0398.\u0392.\u0395. \u00a0\u0392\u03b1\u03c3\u03b9\u03bb\u03b9\u03ba\u03cc \u0398\u03ad\u03b1\u03c4\u03c1\u03bf)<\/p>\n<p>\u201cMade in In\u201d( performance \u03c4\u03b7\u03c2 \u0395\u03bb\u03ad\u03bd\u03b7\u03c2 \u0398\u03b5\u03bf\u03c6\u03c5\u03bb\u03ac\u03ba\u03c4\u03bf\u03c5 d624)<\/p>\n<p>\u201cTake Time\u201d(\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u039c\u03b1\u03c1\u03b9\u03ad\u03bb\u03b1 \u039d\u03ad\u03c3\u03c4\u03bf\u03c1\u03b1-\u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u0391\u03a1\u0393\u03a9)<\/p>\n<p>\u201d13\u03bcf\u201d (\u03a7\u03c1\u03ae\u03c3\u03c4\u03bf\u03c5 \u03a0\u03bf\u03bb\u03c5\u03bc\u03b5\u03bd\u03ac\u03ba\u03bf\u03c5-Analogio Theater Festiva 2007l)<\/p>\n<p>\u201cSession 1\u201d(\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03a0.\u0391\u03c1\u03b3\u03c5\u03c1\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2-\u039c\u03ad\u03b3\u03b1\u03c1\u03bf \u039c\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae\u03c2)<\/p>\n<p>\u201d1 \u03ba\u03b1\u03bd\u03ad\u03bd\u03b1\u03c2 100.000\u201d(\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 Solus Creo-\u03a1\u03bf\u03ad\u03c2).<\/p>\n<p>\u0388\u03b3\u03c1\u03b1\u03c8\u03b5 \u03c4\u03b7\u03bd \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03b3\u03b9\u03b1 \u03c4\u03b7\u03bd \u03c4\u03b1\u03b9\u03bd\u03af\u03b5\u03c2:<\/p>\n<p>&#8220;Sugartown &#8211; For a fistfull of votes&#8221; \u03c3\u03b5 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039a\u03af\u03bc\u03c9\u03bd\u03b1 \u03a4\u03c3\u03b1\u03ba\u03af\u03c1\u03b7<\/p>\n<p>\u00ab\u039f \u03be\u03ad\u03bd\u03bf\u03c2\u00bb \u03c3\u03b5 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039a\u03af\u03bc\u03c9\u03bd\u03b1 \u03a4\u03c3\u03b1\u03ba\u03af\u03c1\u03b7<\/p>\n<p>\u201d \u0391\u03bd\u03b5\u03bc\u03b9\u03c3\u03c4\u03ae\u03c1\u03b1\u03c2\u201d \u03c3\u03b5 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7 \u039c\u03c0\u03af\u03c4\u03bf\u03c5<\/p>\n<p>\u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03b7 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03ae \u03c4\u03c9\u03bd \u03c4\u03b1\u03b9\u03bd\u03b9\u03ce\u03bd:<\/p>\n<p>\u00ab\u0389\u03c4\u03b1\u03bd \u03bd\u03b1 \u03bc\u03b7 \u03c0\u03b1\u03c4\u03ae\u03c3\u03b5\u03b9 \u03c4\u03bf \u03c0\u03cc\u03b4\u03b9 \u03c4\u03bf\u03c5 \u03c3\u03c4\u03b7\u03bd \u0391\u03b8\u03ae\u03bd\u03b1\u00bb \u03c4\u03bf\u03c5 \u039c. \u039c\u03bf\u03c5\u03b6\u03ac\u03ba\u03b7(\u03b7 \u03bf\u03c0\u03bf\u03af\u03b1 \u03ba\u03c5\u03ba\u03bb\u03bf\u03c6\u03bf\u03c1\u03b5\u03af \u03c3\u03b5 cd (Ankh Rec.),<\/p>\n<p>\u201cCan U Feel It\u201d \u00a0\u03bd\u03c4\u03bf\u03ba\u03b9\u03bc\u03b1\u03bd\u03c4\u03ad\u03c1 \u03c4\u03bf\u03c5 \u03a6\u03ce\u03c4\u03b7 \u0392\u03bb\u03b1\u03c7\u03ac\u03ba\u03b7,<\/p>\n<p>\u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c9\u03c2 performer -\u03ba\u03b9\u03b8\u03b1\u03c1\u03af\u03c3\u03c4\u03b1\u03c2 \u03c3\u03c4\u03b9\u03c2 \u03c0\u03b1\u03c1\u03b1\u03c3\u03c4\u03ac\u03c3\u03b5\u03b9\u03c2:<\/p>\n<p>\u00ab\u03a0\u03b5\u03b8\u03b1\u03af\u03bd\u03c9 \u03c3\u03b1 \u03a7\u03ce\u03c1\u03b1\u00bb (\u0395\u03bb\u03bb\u03b7\u03bd\u03b9\u03ba\u03cc \u03a6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb 2007, \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039c\u03b9\u03c7\u03b1\u03ae\u03bb \u039c\u03b1\u03c1\u03bc\u03b1\u03c1\u03b9\u03bd\u03bf\u03cd).<\/p>\n<p>\u00ab\u039c\u03bd\u03ae\u03bc\u03b7 \u03c4\u03c9\u03bd \u039a\u03cd\u03ba\u03bd\u03c9\u03bd\u00bb (\u03c7\u03bf\u03c1\u03bf\u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u039a.\u0398.\u0392.\u0395. \u03c3\u03b5 \u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u039a\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5 \u03a1\u03ae\u03b3\u03bf\u03c5) \u03cc\u03c0\u03bf\u03c5 \u03b5\u03bd\u03bf\u03c1\u03c7\u03ae\u03c3\u03c4\u03c1\u03c9\u03c3\u03b5 \u03ba\u03b1\u03b9 \u03b4\u03b9\u03b1\u03c3\u03ba\u03b5\u03cd\u03b1\u03c3\u03b5 \u03a4\u03c3\u03b1\u03ca\u03ba\u03cc\u03c6\u03c3\u03ba\u03b9<\/p>\n<p>\u00ab\u0391\u03bc\u03b5\u03c1\u03b9\u03ba\u03ac\u03bd\u03b9\u03ba\u03bf \u038c\u03bd\u03b5\u03b9\u03c1\u03bf\u00bb (\u0395\u03b8\u03bd\u03b9\u03ba\u03ae \u039b\u03c5\u03c1\u03b9\u03ba\u03ae \u03a3\u03ba\u03b7\u03bd\u03ae-\u03c7\u03bf\u03c1\u03bf\u03b3\u03c1\u03b1\u03c6\u03af\u03b1 \u03a6\u03ce\u03c4\u03b7 \u039d\u03b9\u03ba\u03bf\u03bb\u03ac\u03bf\u03c5)<\/p>\n<p>\u00ab\u0397 \u039d\u03cd\u03c7\u03c4\u03b1 \u03c4\u03c9\u03bd \u039c\u03c5\u03c3\u03c4\u03b9\u03ba\u03ce\u03bd\u00bb (\u0395\u03b8\u03bd\u03b9\u03ba\u03cc \u0398\u03ad\u03b1\u03c4\u03c1\u03bf \u2013 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5).<\/p>\n<p>\u201c\u039c\u0395\u03a4\u0391\u201d (\u0392\u03c5\u03c1\u03c3\u03bf\u03b4\u03b5\u03c8\u03b5\u03af\u03bf \u2013 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5).<\/p>\n<p>\u00ab\u039f\u03bd\u03b5\u03af\u03c1\u03bf\u03c5 \u039f\u03b4\u03cd\u03c3\u03c3\u03b5\u03b9\u03b1\u00bb, ( \u039a.\u0398.\u0392.\u0395. \u03c3\u03b5 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u03a7\u03c1\u03cd\u03c3\u03b1\u03c2 \u039a\u03b1\u03c8\u03bf\u03cd\u03bb\u03b7)<\/p>\n<p>\u00ab\u03a4\u03bf\u03c5 \u0394\u03c1\u03cc\u03bc\u03bf\u03c5\u00bb (\u03a0\u03ac\u03c4\u03c1\u03b1 \u03a0\u03bf\u03bb\u03b9\u03c4\u03b9\u03c3\u03c4\u03b9\u03ba\u03ae \u03a0\u03c1\u03c9\u03c4\u03b5\u03cd\u03bf\u03c5\u03c3\u03b1 \u03c4\u03b7\u03c2 \u0395\u03c5\u03c1\u03ce\u03c0\u03b7\u03c2 2006, \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u039a\u03c5\u03c1\u03b9\u03ac\u03ba\u03bf\u03c5 \u039a\u03b1\u03c4\u03b6\u03bf\u03c5\u03c1\u03ac\u03ba\u03b7 )<\/p>\n<p>\u00ab\u039f \u0389\u03c7\u03bf\u03c2 \u03c4\u03bf\u03c5 \u038c\u03c0\u03bb\u03bf\u03c5\u00bb (104 \u039a\u03ad\u03bd\u03c4\u03c1\u03bf \u039b\u03cc\u03b3\u03bf\u03c5 \u03ba\u03b1\u03b9 \u03a4\u03ad\u03c7\u03bd\u03b7\u03c2 \u2013 \u03c3\u03ba\u03b7\u03bd\u03bf\u03b8\u03b5\u03c3\u03af\u03b1 \u0388\u03bb\u03bb\u03b7\u03c2 \u03a0\u03b1\u03c0\u03b1\u03ba\u03c9\u03bd\u03c3\u03c4\u03b1\u03bd\u03c4\u03af\u03bd\u03bf\u03c5).<\/p>\n<p>\u0388\u03c7\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b5\u03c1\u03b3\u03b1\u03c3\u03c4\u03b5\u03af \u03bc\u03b5 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03cd\u03c2 \u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9 :<\/p>\n<p>Damo\u00a0Suzuki,\u00a0Blaine\u00a0L.\u00a0Reininger, Julia Kent, Misha Piatigorsky, \u0393\u03b9\u03ce\u03c1\u03b3\u03bf\u03c2 \u039a\u03bf\u03bd\u03c4\u03c1\u03b1\u03c6\u03bf\u03cd\u03c1\u03b7\u03c2, \u03a3\u03b1\u03b2\u03af\u03bd\u03b1 \u0393\u03b9\u03b1\u03bd\u03bd\u03ac\u03c4\u03bf\u03c5,\u00a0Pamelia\u00a0Kurstin, \u0393\u03b5\u03c9\u03c1\u03b3\u03af\u03b1 \u03a3\u03c5\u03bb\u03bb\u03b1\u03af\u03bf\u03c5,\u00a0Lena\u00a0Norin, \u0398\u03ac\u03bd\u03bf\u03c2 \u0391\u03bd\u03b5\u03c3\u03c4\u03cc\u03c0\u03bf\u03c5\u03bb\u03bf\u03c2,\u00a0Michel\u00a0Hatzigeorgiou,\u00a0Julia\u00a0Kent,\u00a0Missirli\u00a0Ahmet, \u039cra Oma, \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7\u03c2 \u0392\u03b1\u03c3\u03b9\u03bb\u03ac\u03ba\u03b7\u03c2, \u0394\u03b7\u03bc\u03ae\u03c4\u03c1\u03b7\u03c2 &#8220;\u03a7\u03b1\u0390\u03bd\u03b7\u03c2&#8221; \u0391\u03c0\u03bf\u03c3\u03c4\u03bf\u03bb\u03ac\u03ba\u03b7\u03c2, \u039c\u03b1\u03c1\u03af\u03b1 \u0392\u03bf\u03c5\u03bc\u03b2\u03ac\u03ba\u03b7 , \u039d\u03af\u03ba\u03bf\u03c2 \u0393\u03b9\u03bf\u03cd\u03c3\u03b5\u03c6, \u0394. \u039a\u03b1\u03bc\u03b1\u03c1\u03c9\u03c4\u03cc\u03c2, \u03ba\u03b1\u03b9 \u03ac\u03bb\u03bb\u03bf\u03c5\u03c2 \u03c3\u03b7\u03bc\u03b1\u03bd\u03c4\u03b9\u03ba\u03bf\u03cd\u03c2 \u03bc\u03bf\u03c5\u03c3\u03b9\u03ba\u03bf\u03cd\u03c2. \u0388\u03c7\u03b5\u03b9 \u03c3\u03c5\u03bc\u03c0\u03c1\u03ac\u03be\u03b5\u03b9 \u03b5\u03c0\u03af \u03c3\u03ba\u03b7\u03bd\u03ae\u03c2\u00a0\u00a0\u03bc\u03b5\u00a0\u03ba\u03b1\u03bb\u03bb\u03b9\u03c4\u03ad\u03c7\u03bd\u03b5\u03c2 \u03c4\u03b7\u03c2 Jazz \u00a0\u03cc\u03c0\u03c9\u03c2 \u03bf\u03b9\u00a0Chico\u00a0Freeman,\u00a0Sheila\u00a0Jordan \u03ba\u03b1\u03b9 \u03bc\u03b5 \u03c4\u03bf\u03bd \u03b8\u03c1\u03c5\u03bb\u03b9\u03ba\u03cc Beatnik \u03c0\u03bf\u03b9\u03b7\u03c4\u03ae\u00a0Jerome\u00a0Rothenberg\u00a0\u03ba\u03b1\u03b9 \u03ad\u03c7\u03b5\u03b9 \u03b1\u03bd\u03bf\u03af\u03be\u03b5\u03b9 \u03c3\u03c5\u03bd\u03b1\u03c5\u03bb\u03af\u03b5\u03c2 \u03c4\u03c9\u03bd\u00a0Anouar\u00a0Brahem,\u00a0Nouvele\u00a0Vague,\u00a0Brendan\u00a0Perry(Dead Can Dance),\u00a0Ozric\u00a0Tendacles,\u00a0Manhattan\u00a0Vibes\u00a0\u03ba.\u03b1. \u03a3\u03c5\u03bc\u03bc\u03b5\u03c4\u03b5\u03af\u03c7\u03b5 \u03c3\u03c4\u03b1\u00a0group\u00a0\u00ab\u039c\u03c0\u03bb\u03b5\u00bb, \u00abXaxakes\u00bb, \u00abLoveLab\u00bb, \u00abAcetic Voice\u00bb, \u00abMedieval Death\u00bb \u03ba.\u03b1.<\/p>\n<p>\u0388\u03c7\u03b5\u03b9 \u03b5\u03bc\u03c6\u03b1\u03bd\u03b9\u03c3\u03c4\u03b5\u03af \u03c3\u03c4\u03bf\u03c5\u03c2 \u03b5\u03be\u03ae\u03c2 \u03c7\u03ce\u03c1\u03bf\u03c5\u03c2 \u03ba\u03b1\u03b9 \u03c6\u03b5\u03c3\u03c4\u03b9\u03b2\u03ac\u03bb:<\/p>\n<p>\u2022 Brooklyn Academy of Music, N.Y.C. USA 2019<\/p>\n<p>\u2022 W Festival, 2019 Belgium<\/p>\n<p>\u2022 BE Festival, 2017, (First Prize) Birmingham, UK<\/p>\n<p>\u2022 Acco Festival, 2017, ACRE, ISRAEL<\/p>\n<p>\u2022 Operadagen Festival, 2017, 2019, Rotterdam, Holland<\/p>\n<p>\u2022 Faki Festival, 2016, Zagreb, Kroatia<\/p>\n<p>\u2022 Musiktheatertage ,2015,\u00a0 Wien, Austria<\/p>\n<p>\u2022\u00a0 Neukollner Oper,\u00a0 2015 , Berlin, Germany<\/p>\n<p>\u2022 Zante Jazz Festival, 2011, Zakynthos, Greece<\/p>\n<p>\u2022 ODEON, 2009 Paris, France<\/p>\n<p>\u2022 International Festival for Experimental Theatre, 2009 Cairo, Egypt<br \/>\n\u2022 International Festival of Ancient Drama, 2009, Delphi, Greece<br \/>\n\u2022 Kunstenfestivaldesarts 2008 Brussels Belgium<br \/>\n\u2022 Hellenic Festival 2007 Athens Greece<br \/>\n\u2022 Wiener Festwochen 2008 Vienna Austria<br \/>\n\u2022 Oriente Occidente Festival 2005 Trento Italy<br \/>\n\u2022 IX Festival International de Danca Contemporanea 2005 Faro Portugal<br \/>\n\u2022 Mostra Sesc de Artes Mediterraneo Festival 2005 Sao Paolo Brazil<br \/>\n\u2022 Biennale 2004 Lyon France<br \/>\n\u2022 Arts Festival 2004 Singapore<br \/>\n\u2022 European Monodrama Festival 2004 Bitola FYROM<br \/>\n\u2022 International Festival The actor of Europe 2004 Otesevo FYROM<br \/>\n\u2022 SANI Jazz on the hill festival 2006 Greece<br \/>\n\u2022 Demetria Ethno Jazz Festival Greece 2008<br \/>\n\u2022 Thessaloniki\u2019s Jazz Festival Greece 2008<br \/>\n\u2022 European Music Day, Athens Greece 2009<br \/>\n\u2022 Cultural Capital Of Europe Patra Greece 2006<br \/>\n\u2022 2nd,3rd Athens Video Art Festival 2006, 2007 Athens Greece<br \/>\n\u2022 Naxos Festival, Naxos Greece 2006<br \/>\n\u2022 Strings Of Difference Festival 2006 Athens Greece<br \/>\n\u2022 Parathinalos jazz festival 2002 &#8211; 2003 Thessalonica Greece.<\/p>\n<p>\u0388\u03c7\u03bf\u03c5\u03bd \u03b5\u03ba\u03b4\u03bf\u03b8\u03b5\u03af\u00a0\u00a03 cd \u03bc\u03b5 \u03c3\u03c5\u03bd\u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03c4\u03bf\u03c5 \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd \u03b5\u03c4\u03b1\u03b9\u03c1\u03af\u03b1 \u0391nkh Records \u03c0\u03bf\u03c5 \u03ba\u03b9\u03bd\u03bf\u03cd\u03bd\u03c4\u03b1\u03b9 \u03c5\u03c6\u03bf\u03bb\u03bf\u03b3\u03b9\u03ba\u03ac \u03c3\u03c4\u03bf \u03c7\u03ce\u03c1\u03bf \u03c4\u03b7\u03c2 \u03c3\u03cd\u03b3\u03c7\u03c1\u03bf\u03bd\u03b7\u03c2 Jazz\u00a0\u03ba\u03b1\u03b9 3\u00a0cd\u00a0\u03bc\u03b5 \u03c3\u03c5\u03bd\u03b8\u03ad\u03c3\u03b5\u03b9\u03c2 \u03b3\u03b9\u03b1 \u03c4\u03bf \u03b8\u03ad\u03b1\u03c4\u03c1\u03bf \u03b1\u03c0\u03cc \u03c4\u03b7\u03bd\u00a0\u03b5\u03c4\u03b1\u03b9\u03c1\u03af\u03b1\u00a0ODC.<\/p>\n<p>\u0396\u03b5\u03b9 \u03c3\u03c4\u03b7\u03bd \u0391\u03b8\u03ae\u03bd\u03b1 \u03cc\u03c0\u03bf\u03c5 \u03b5\u03c1\u03b3\u03ac\u03b6\u03b5\u03c4\u03b1\u03b9 \u03ba\u03b1\u03b9 \u03c9\u03c2 \u03c3\u03c4\u03ad\u03bb\u03b5\u03c7\u03bf\u03c2 \u03c4\u03b7\u03c2 \u0395\u03ba\u03c0\u03b1\u03b9\u03b4\u03b5\u03c5\u03c4\u03b9\u03ba\u03ae\u03c2 \u03a1\u03b1\u03b4\u03b9\u03bf\u03c4\u03b7\u03bb\u03b5\u03cc\u03c1\u03b1\u03c3\u03b7\u03c2 \u03c4\u03bf\u03c5 \u03a5\u03c0\u03bf\u03c5\u03c1\u03b3\u03b5\u03af\u03bf\u03c5 \u03a0\u03b1\u03b9\u03b4\u03b5\u03af\u03b1\u03c2 &amp; \u0398\u03c1\u03b7\u03c3\u03ba\u03b5\u03c5\u03bc\u03ac\u03c4\u03c9\u03bd.<\/p>\n<p><!--  \/* Font Definitions *\/  @font-face \t{font-family:\"Cambria Math\"; \tpanose-1:2 4 5 3 5 4 6 3 2 4; \tmso-font-charset:0; \tmso-generic-font-family:roman; \tmso-font-pitch:variable; \tmso-font-signature:-536870145 1107305727 0 0 415 0;} @font-face \t{font-family:Calibri; \tpanose-1:2 15 5 2 2 2 4 3 2 4; \tmso-font-charset:0; \tmso-generic-font-family:swiss; \tmso-font-pitch:variable; \tmso-font-signature:-536859905 -1073732485 9 0 511 0;}  \/* Style Definitions *\/  p.MsoNormal, li.MsoNormal, div.MsoNormal \t{mso-style-unhide:no; \tmso-style-qformat:yes; \tmso-style-parent:\"\"; \tmargin:0cm; \tmargin-bottom:.0001pt; \tmso-pagination:widow-orphan; \tfont-size:12.0pt; \tfont-family:\"Calibri\",sans-serif; \tmso-ascii-font-family:Calibri; \tmso-ascii-theme-font:minor-latin; \tmso-fareast-font-family:Calibri; \tmso-fareast-theme-font:minor-latin; \tmso-hansi-font-family:Calibri; \tmso-hansi-theme-font:minor-latin; 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He is invested in the creation and performance of subversive music, from instant composing and avant garde. He creates, performs and produces experimental music and opera -theater that fuses the musicality of speech, poetry, classical music, jazz and electronic sound art. He is [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"ngg_post_thumbnail":0},"_links":{"self":[{"href":"http:\/\/www.moussas.com\/index.php?rest_route=\/wp\/v2\/pages\/28"}],"collection":[{"href":"http:\/\/www.moussas.com\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.moussas.com\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.moussas.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.moussas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=28"}],"version-history":[{"count":86,"href":"http:\/\/www.moussas.com\/index.php?rest_route=\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":842,"href":"http:\/\/www.moussas.com\/index.php?rest_route=\/wp\/v2\/pages\/28\/revisions\/842"}],"wp:attachment":[{"href":"http:\/\/www.moussas.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}